000 02765dam a2200313 i 4500
001 0000372545
003 0001
008 230119s2017 maua bc 001 0 eng
010 _a 2017006472
020 _a9780300229189 (hardback)
_q(Harvard Art Museums : alk. paper)
020 _a9780300229189
_q(Yale University Press (distributor) : alk. paper)
035 _a(DGU)ocm00000NEW
040 _aDGU/DLC
_beng
_erda
_cDGU
_dDLC
042 _apcc
082 0 0 _a700.955
_223
084 _a700.955
_bALB
_223
245 0 3 _aAn album of artists' drawings from Qajar Iran
_hBook /
_cedited by David J. Roxburgh ; with contributions by Trent Barnes, Mycah Braxton, Gwendolyn Collaço, Farhad Dokhani, Bronwen Gulkis, Penley Knipe, Mary McWilliams, Sarah Mirseyedi, Veronika Poier, David J. Roxburgh, Mira Xenia Schwerda, and Meredyth Winter.
300 _a (various pagings)
_billustrations ;
_c37 cm
365 _a01
_b11,331.00
520 _aHarvard's Qajar Album--57 folios, with nearly 150 drawings, paintings, prints, and embossed works--is a remarkably wide-ranging collection of human, animal, and floral studies; narrative compositions inspired by Persian classic literature and historical subjects; religious themes; and portraits of rulers and heroes. Because these types of works were originally created as technical materials for artists to use in their daily work, most have been lost over time as a result of repeated use and subsequent damage or disposal. This publication offers a rare opportunity not only to appreciate the ingenuity of the individual works, but also to gain a better understanding of the entire system of artistic production and exchange in 19th-century Iran. The book unites 12 essays with a beautiful full-size facsimile of the complete album. From the necessarily global story of how the album came to be housed at the Harvard Art Museums--spanning Iran, Germany, England, and the United States--to the in-depth examination of individual themes and techniques, the publication exposes a rich network of artistic influence, exchange, and innovation. In doing so, it calls on us to question what has been left out of the dominant histories of art and to consider possible alternative definitions of what can be thought of as "modern."
521 _aAll.
650 0 _aArt, Iranian
_y19th century
_vCatalogs.
650 0 _aIslamic art
_vCatalogs.
650 0 _aPattern books
_zIran
_vCatalogs.
650 0 _aPattern books
_zMassachusetts
_zCambridge
_vCatalogs.
700 1 _aRoxburgh, David J.,
_eeditor.
700 1 2 _aBarnes, Trent.
_tPouncing and the materiality of image transfer.
852 _p10001000062847
_911331.00
_vMultiline Books
_dBooks
999 _c64144
_d64144