000 | 01960cam a2200325Ma 4500 | ||
---|---|---|---|
001 | 0000056215 | ||
003 | 0001 | ||
008 | 070526s2007 enka e b 001 0 eng d | ||
015 |
_aGBA704412 _2bnb |
||
020 | _a0500203938 (pbk.) | ||
020 | _a9780500203934 (pbk.) | ||
035 | _a(OCoLC)271059662 | ||
040 |
_aAU@ _cAU@ _dKEN |
||
082 | _a704.042 | ||
084 |
_a704.042 _bCHA-W |
||
100 | 1 | _aChadwick, Whitney. | |
245 | 1 | 0 |
_aWomen, art, and society _h[Book] / _cWhitney Chadwick. |
250 | _a4th ed. | ||
260 |
_aLondon : _bThames & Hudson, _c2007. |
||
300 |
_a528 p. : _bill. (some col.) ; _c21 cm. |
||
440 | 0 | _aWorld of art. | |
500 | _aPrevious ed.: 2002. | ||
520 | _a"This acclaimed study challenges the assumption that great women artists are exceptions to the rule who transcended their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected, Whitney Chadwick's survey reexamines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality. This expanded edition incorporates recent developments in contemporary art. Chadwick addresses the turn toward autobiography in much recent women's art. She considers issues such as the personal versus the political and the private versus the public, and analyzes the differences between women's art today and the seminal feminist work of the 1970s and 1980s." - publisher's description. | ||
521 | _aAll. | ||
650 | 0 |
_aWomen artists _xBiography _xHistory and criticism. |
|
650 | 0 | _aFeminism and art. | |
650 | 0 | _aWomen in art. | |
650 | 0 | _aArt and society. | |
852 |
_p28241 _90.00 _dBooks |
||
999 |
_c153002 _d153002 |