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Much ado about nothing / [Book] / edited by Mary Berry and Michael Clamp.

By: Contributor(s): Material type: TextTextSeries: Shakespeare, William, Plays ; Publication details: New York : Cambridge University Press, 1992.Description: 188 pages. : illustrations ; 23 cmISBN:
  • 0521426103 (paperback)
Subject(s): Genre/Form: DDC classification:
  • 822.33 20
LOC classification:
  • PR2828 .A25 1992
Other classification:
  • 822.33
Online resources: Summary: This edition of Much Ado About Nothing, one of Shakespeare's most delightful and theatrically successful comedies, offers, along with a freshly edited text, an exceptionally helpful and critically aware Introduction and commentary. Paying particular attention in his Introduction to analysis of the play's minor characters, Sheldon P. Zitner discusses Shakespeare's social transformation of his source material, rethinking the attitudes to gender relations that underlie the comedy and determine its ruefully optimistic view of marriage. Interpretations are advanced less because they are arguable than because they are actable. Allowing for the play's openness to re-interpretation by successive generations of readers and performers, the editor provides a socially analytic stage history. Full notes and commentary continue previous editors' work of clarifying textual and performance problems of interest to both readers and actors.
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Holdings
Item type Current library Call number Status Date due Barcode Item holds
Books Books Junaid Zaidi Library, COMSATS University Islamabad 822.33 SHA-M (Browse shelf(Opens below)) Available 53768
Total holds: 0

"This edition ... uses the text of the play established by F.H. Mares in The new Cambridge Shakespeare"--Prelim. p.

This edition of Much Ado About Nothing, one of Shakespeare's most delightful and theatrically successful comedies, offers, along with a freshly edited text, an exceptionally helpful and critically aware Introduction and commentary. Paying particular attention in his Introduction to analysis of the play's minor characters, Sheldon P. Zitner discusses Shakespeare's social transformation of his source material, rethinking the attitudes to gender relations that underlie the comedy and determine its ruefully optimistic view of marriage. Interpretations are advanced less because they are arguable than because they are actable. Allowing for the play's openness to re-interpretation by successive generations of readers and performers, the editor provides a socially analytic stage history. Full notes and commentary continue previous editors' work of clarifying textual and performance problems of interest to both readers and actors.

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