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Italian Renaissance courts : [Book] art, pleasure and power / Alison Cole.

By: Material type: TextTextSeries: Renaissance artDescription: 255 pages : illustrations (colour)ISBN:
  • 9781780677408 (hardback)
Subject(s): DDC classification:
  • 945.05 23
Other classification:
  • 945.05
Summary: In this fascinating study, Alison Cole explores the distinctive uses of art at the five great secular courts of Naples, Urbino, Ferrara, Mantua, and Milan. The princes who ruled these city-states, vying with each other and with the great European courts, relied on artistic patronage to promote their legitimacy and authority. Major artists and architects, from Mantegna and Pisanello to Bramante and Leonardo da Vinci, were commissioned to design, paint, and sculpt, but also to oversee the court's building projects and entertainments. The courtly styles that emerged from this intricate landscape are examined in detail, as are the complex motivations of ruling lords, consorts, nobles, and their artists. Drawing on the most recent scholarship, Cole presents a vivid picture of the art of this extraordinary period.
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Holdings
Item type Current library Call number Status Date due Barcode Item holds
Books Books Junaid Zaidi Library, COMSATS University Islamabad 2nd Floor 945.05 COL-I (Browse shelf(Opens below)) Available 55637
Total holds: 0

In this fascinating study, Alison Cole explores the distinctive uses of art at the five great secular courts of Naples, Urbino, Ferrara, Mantua, and Milan. The princes who ruled these city-states, vying with each other and with the great European courts, relied on artistic patronage to promote their legitimacy and authority. Major artists and architects, from Mantegna and Pisanello to Bramante and Leonardo da Vinci, were commissioned to design, paint, and sculpt, but also to oversee the court's building projects and entertainments. The courtly styles that emerged from this intricate landscape are examined in detail, as are the complex motivations of ruling lords, consorts, nobles, and their artists. Drawing on the most recent scholarship, Cole presents a vivid picture of the art of this extraordinary period.

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