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Contemporary African art / [Book] / Sidney Littlefield Kasfir.

By: Material type: TextTextSeries: Thames & Hudson, world of artPublication details: New York, N.Y. : Thames and Hudson, 2014.Description: 224 pages : illustrations (some color), color map ; 21 cmISBN:
  • 9780500203286 (paperback)
  • 0500203288 (pbk.)
Subject(s): DDC classification:
  • 709.609045 21
Other classification:
  • 709.609045
Summary: The twentieth century has been a period of major disruption for traditional institutions in Africa. But even as old forms of art patronage were being suppressed, new avenues of artistic expression opened up. Postcolonial art in Africa has built seamlessly upon already existing structures in which precolonial and colonial genres of African art were made. It is in this sense, and in the habits and attitudes of artists towards making art, rather than in any adherence to a particular style, medium, technique, or thematic range, that the art is recognizably "African." Sidney Littlefield Kasfir, Associate Professor of Art History at Emory University, has taught, curated, and carried out extensive field research in Nigeria, Uganda, and Kenya, and has made briefer research trips to nine other African countries. Her critical history examines the major themes and accomplishments in African art from the past fifty years, achieving an impressive balance between the critical reexamination of frequently discussed artists, groups, and workshops and the introduction of less publicized or more recent material.
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Holdings
Item type Current library Call number Status Date due Barcode Item holds
Books Books Junaid Zaidi Library, COMSATS University Islamabad Ground Floor 709.609045 KAS-C (Browse shelf(Opens below)) Available 54480
Total holds: 0

The twentieth century has been a period of major disruption for traditional institutions in Africa. But even as old forms of art patronage were being suppressed, new avenues of artistic expression opened up. Postcolonial art in Africa has built seamlessly upon already existing structures in which precolonial and colonial genres of African art were made. It is in this sense, and in the habits and attitudes of artists towards making art, rather than in any adherence to a particular style, medium, technique, or thematic range, that the art is recognizably "African." Sidney Littlefield Kasfir, Associate Professor of Art History at Emory University, has taught, curated, and carried out extensive field research in Nigeria, Uganda, and Kenya, and has made briefer research trips to nine other African countries. Her critical history examines the major themes and accomplishments in African art from the past fifty years, achieving an impressive balance between the critical reexamination of frequently discussed artists, groups, and workshops and the introduction of less publicized or more recent material.

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