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Text and image in medieval Persian art / Book / Sheila S. Blair.

By: Material type: TextTextSeries: Edinburgh studies in Islamic artDescription: xv, 336 pages : illustrations (chiefly color), maps, plans ; 25 cmISBN:
  • 9780748655786 (hardback)
  • 0748655786 (hardback)
Subject(s): DDC classification:
  • 709.550902 23
Other classification:
  • 709.550902
Summary: This book investigates the interaction between word and image in medieval Persian art. Greater Iranian arts from the 10th to the 16th century are technically some of the finest produced anywhere. They are also intellectually engaging, showing the lively interaction between the verbal and the visual arts. Focusing on objects found in the main media at the time, Sheila S. Blair shows how artisans played with form, material and decoration to engage their audiences. She also shows how the reception of these objects has changed and that their present context has implications for our understanding of the past. It is lavishly illustrated in colour. It features five case studies - on ceramics, metalwares, painting, architecture and textiles - that showcase the variety of Persian art. It investigates the interaction between the visual and the verbal in a multi-lingual society. It looks at the transformation of everyday objects into works of art. It is written by one of the foremost experts in Persian art
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Holdings
Item type Current library Call number Status Date due Barcode Item holds
Books Books Junaid Zaidi Library, COMSATS University Islamabad 709.550902 BLA-T 61370 (Browse shelf(Opens below)) Available 10001000061370
Total holds: 0

This book investigates the interaction between word and image in medieval Persian art. Greater Iranian arts from the 10th to the 16th century are technically some of the finest produced anywhere. They are also intellectually engaging, showing the lively interaction between the verbal and the visual arts. Focusing on objects found in the main media at the time, Sheila S. Blair shows how artisans played with form, material and decoration to engage their audiences. She also shows how the reception of these objects has changed and that their present context has implications for our understanding of the past. It is lavishly illustrated in colour. It features five case studies - on ceramics, metalwares, painting, architecture and textiles - that showcase the variety of Persian art. It investigates the interaction between the visual and the verbal in a multi-lingual society. It looks at the transformation of everyday objects into works of art. It is written by one of the foremost experts in Persian art

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