Art and architecture in the Islamic tradition [Book] : aesthetics, politics and desire in early Islam / Mohammed Hamdouni Alami.
Material type: TextSeries: Library of modern Middle East studies ; 104.Publication details: New York : Distributed in the United States and Canada by Palgrave Macmillan, New York : Distributed in the United States and Canada by Palgrave Macmillan, 2014.Description: xiii, 289 p., [16] p. of plates : ill. (some col.) ; 23 cmISBN:- 9781780765617 (paperback)
- 709.17671
- 709.17671
Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
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Books | Junaid Zaidi Library, COMSATS University Islamabad | 709.17671 HAM-A (Browse shelf(Opens below)) | Available | 55621 |
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709.17671 EAR Early Islamic art and architecture | 709.17671 ETT-I Islamic art and architecture, 650-1250 | 709.17671 GON-B Beauty and Islam aesthetics in Islamic art and architecture / | 709.17671 HAM-A Art and architecture in the Islamic tradition aesthetics, politics and desire in early Islam / | 709.17671 HAM-A Art and architecture in the Islamic tradition aesthetics, politics and desire in early Islam / | 709.17671 HAM-O The origins of visual culture in the Islamic world : aesthetics, art and architecture in early Islam / | 709.17671 HIL-I Islamic art and architecture / |
First published in hardback in 2011 by I.B. Tauris & Co Ltd.
Includes bibliographical references (p. 269-279) and index.
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body has meant that Islamic and Western art being perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. Drawing upon classical Arabic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, desire and the 'gaze'. In so doing, he addresses the lack of recognition given to early Islamic thought and aesthetics in comparison with other historical periods and traditions.
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